#I have not a single narrative regret

[somesecretpie]

What is a regret which you have in the making of the Broccoli Soup webcomic?

Honestly I have several:

1.) Not organizing any of my files for the first 10 episodes. That’s really coming back to bite me in the ass right now.

2.) Not putting a lot of stuff of different layers (if I ever attempt to adapt this into a page comic it will kill me.)

3.) Not making the speech bubbles bigger in the everything store. Terrible readability

4.) All my grammatical errors

5.) Making Broccoli not green

[agnimybeloved]

regarding that last post... not that black butler's canon has to be uplifting or have dadbastian or a happy ending to be "good" (i'm actually partial to tragedies especially the cyclical kind and would love for the series to straight up end with despair and the collection on the contract lol) but i do think that toboso's largely fumbled the found-family/interpersonal,/introspective aspects of her story and sacrificed a lot of narrative and thematic meat there for low-brow and off-putting comedy.... which is really exactly all she does with ciel's trauma as well-- shallowly using it for the purposes of trauma porn and/or comedy/inappropriate fanservice.

ciel only seems to have reasonable responses to his trauma when its aesthetically convenient if that makes sense. i honestly could go as far as to say that she depicts his trauma fetishistically-- every instance i can recall of ciel having an extreme traumatic response (i.e. vomiting, flashbacks, psychosis) is represented with (imo but honestly.... i'd be shocked if this wasn't intentional...) sexual undertones. his episode during the green witch arc doesn't have one of these moments within the episode itself as far as i can recall, but certainly i think the preceding/inciting medical emergency that forces him and sebastian to bathe together contributes to the reoccurring sexualization of "sickness" (physical & psychological).

not to mention ciel's subsequent episode is treated as the dramatic peak of his ptsd and something that he "overcomes" through sheer force of will (and the threats of sebastian... neither of which are a proper/reasonable way to handle such an extreme trauma response) and doesn't really battle going forward in the story. of course a lot of stories take this "one dramatic moment and then its fixed" approach to representing mental illness, and it makes narrative sense for toboso to want to more or less settle that thread to gear up for the important blue cult arc, but i think toboso's handling of mental illness in general goes so far beyond suspension of disbelief and tastelessness that i think she should lowkey be brained for it. the way she intermittently writes ciel's traumatic experiences as something horrifying and wrong and to be given sympathy meanwhile relentlessly putting ciel in inappropriate fanservice situations that diminish the severity of csa & pedophilia as well as disrespect the complexities of trauma and turn them into comedy... mind boggling...

overall though i think that black butler shows a real mastery of narrative arcs while falling short in terms of character arcs. most of the time these arcs are shown in retrospect with the addition of new backstory, but it feels as if the characters in present have barely grown at all... not that every story has to be character driven and a static character type makes sense for someone like sebastian, but for all that ciel is a unique and mature thirteen year old due to the circumstances of his life, he is still a thirteen year old, and one that has experienced a significant trauma quite recently at that. not allowing him coming of age-esque character arcs considering all that sort of breaks the believability of his character imo.

but i think that coattails does a lot in staying loyal to ciel's character and experiences while also respecting his trauma and bringing the depth and flexibility of adolescence to his worldview and actions that toboso unfortunately seems disinterested in. i love that aforementioned chapter of coattails and its sentiments especially with how it reexamines ciel's actions at kelvin's manor and the worldview that lead to burning it down with the children inside... not that it was an out of character decision for ciel in the moment, but i think it established a lot more severe facts about his character and worldview than toboso is willing to address in her writing and therefore feels unresolved. coattails' remedy to that awkwardness by coming full circle is so intriguing and fulfilling in contrast... it shows how adolescence and trauma can work together to so completely convince one of hopelessness and yet how just a bit of hope can change that worldview entirely. literally just the honest love of a random dog and the mundane care of a guardian... there is a cure and it is this..... what da helllll....

[absolutelyarealperson]

I think Boston got a happy ending. He's getting a fresh start, and everything in the finale just felt like it was setting him up to leave for America with no regrets or loose ends.

He apologized for the things he did wrong, and pointedly did not apologize for the things he didn't do wrong. He's a messy boy and I love him for that, but he absolutely did some things worth apologizing for, so I'm not mad at the fact that the show let him apologize. He did everything he could to repair his relationships with his friends, and for the most part, he did repair them. Cheum is happy to welcome him back into the group. Ray is still protective of Mew, and is always going to side with Mew over Boston when forced to choose, but he doesn't seem to harbor any hard feelings of his own. His friendship with Mew is irreparably broken, and that's kind of ok with me. It's true to life; some relationships you can repair, and some you can't. But Boston did what he could. He doesn't have to hold onto guilt or wonder what would have happened if he reached out.

The friend group dynamic was never going to go back to what it was before, because Boston was leaving the whole continent. There was always going to be a shift. We were always going to end up with all of the others getting close and having experiences together without Boston there. But he fixed things enough that they're staying in touch.

And he and Nick broke up a bit earlier than they would have. But they would have broken up anyway. That relationship always had an expiration date. Boston set it up that way on purpose (I feel like knowing it had an ending was the only way he could give himself permission to even try for the first time, but that's probably a whole other post I could make). And he got to learn about himself. He likes romance; he can fall in love. It's just that romance and sex are two completely separate things for him. And he's moving to NYC! You know he's going to find some like minded people and figure himself out further, and find fulfilling relationships that work for him, now that he knows more about his wants and needs.

And it's so much better that Nick didn't follow him to New York. I cannot see that ending well. Because once Boston and Nick both learned enough about themselves to have an open and honest conversation about what they wanted in a relationship, it was clear that they loved each other AND they wanted fundamentally different things. Somehow a clean break for a reason other than the move to America feels better. They're not holding on or trying to stretch out the end so it hurts more or longer. They loved each other. It meant something. And it ended. The end doesn't make the rest matter less.

And Boston, a Boston who learned and grew from the events in this series, is planning to be totally out in America, away from his dad. No more hiding. No more worry about black mail. He's the person taking the photos and choosing to make them public as art.

Everything about the finale just felt like it was setting Boston up for a fresh start in the best and cleanest way possible. Repairing the ties that could be part of his support system, even across continents. Cutting ties that were only going to hold him back or hurt him worse. Letting him get things off his chest, so he could leave without regrets or what-ifs. I think this episode was so good to Boston.

[dansemacabre]

i’ve been thinking about “sixer, it would eat you alive” since i read it and. man. every layer you peel back makes it worse. im not a bill apologist but. shit

if you (1) take it at face value, it paints bill as an apologetic murderer in his single (and maybe sole) open moment of regret. he doesn’t let his walls down often- only with ford do we even get to see the remnant of his galaxy, see the “actual remorse” ford describes, get just a hint of his origins. but he does it, because he thinks ford should know.

if you (2) take it from ford’s point of view, as something he committed to journal three, like. wow. imagine being so committed to a being that you’d hunt down and kill the monster that destroyed his home, only to (assumably) figure out later that that being was the monster. the small moments of trust, the “good times”, are so key to manipulation. how long did ford hold onto that one shred of vulnerability? no wonder ford stayed for as long as he did. in his eyes, bill was a survivor. ford wanted to survive too.

(slight tw below for unreality- any time i mention our reality, i mean “our reality” as a narrative device used in the book of bill as a proxy for the idea of bill being in our reality, since he can’t actually be in our reality. all of this is a fictional theory about a show/book with fictional contents!)

but if you (3) remember that “even his lies are lies” and absolutely Nothing bill says should be trusted. Whoo boy. if i read tbob right the book itself is being created in the theraprism (even tho it shows up with the ciphertologists at some point? idk that’s a whole other post). it’s meant to show what the reader wants to see; it manifests in our reality as what the collective fandom wants to see. so if we want to see truth, if we want to see where bill ended up and who he actually is, there’s a non-zero chance that the whole interaction was a complete fabrication.

imagine bill, stuck in the actively harmful, probably earth-illegal theraprism, once again being forced to be “fixed” and molded into something more palatable, being forced to conform no matter how much it hurts. (i know natural uncontrollable mutation ≠ just so much murder and destruction and chaos, but. you can’t ignore the similarities. bill has obviously been thinking about those silly straws.)

he looks back on everything that went wrong, back on his relationship with ford, back through every dimension where he wins. would that one moment, that one truth amid centuries of lies, have saved him from purgatory? if he had just been open? shown his damage? maybe he did think of his parents, or his henchmaniacs (especially the oracle). people who he might have once opened up to. maybe he just wanted to open up to someone again.

so in his own weird way, stuck in a cell, he reshaped reality again. in this reality, for this fleeting moment, he had been someone worth believing. and ford had listened, hell, ford had wanted to help. looking back, knowing how he treated ford, knowing how ford ended up because of it, maybe bill would have said the most honest thing he’d ever told ford: i am the monster, i am not worth your time or belief, and i will eat you alive.

[dinarosie]

Let His Story Be His Own

I believe that people have the right to create their headcanons about characters, but many fanon creators (Especially Marauders fandom) deeply believe every single sentence in this narrative and think it's canon (left image), and they insult the fans of severus snape.

To them, Snape, at best, is Lily’s toxic friend who did nothing in his life besides poisoning Neville’s toad and calling Lily a Mudblood. Yet characters like Pettigrew and Barty Crouch Jr. and Rosier are tragic heroes and victims of domestic violence!!! (The image on the right includes some signs of trauma and depression that I’ve taken from this article; you can see that Snape clearly exhibits some of these symptoms.)

It’s insane that not only do they erase Snape’s name and belittle and shame him for his psychological trauma, but they go even further and falsify his story to favor Death Eaters like Barty Crouch Jr. and Evan Rosier!

People like Rosier, Crouch, and Regulus were neither tortured nor forced into joining Voldemort due to family pressure or trauma. They joined him willingly. Rosier fought and died for Voldemort’s cause until his last breath. Crouch and Pettigrew never regretted their choices, and when given another chance (unlike Snape), they eagerly rejoined Voldemort. They were ready to kill and torture at Voldemort's command. 

Stop crafting dramatic and heroic stories for psychopaths. If you’re looking for a tragic and romantic hero, the only one in the story is Severus Snape.

He is the one described as a poor, neglected child who was abused and physically harmed by his family.

He is the small boy with black hair, crying alone in a corner, watching his mother being abused by his father.

He is the child and teenager who was publicly mocked and humiliated because of his appearance and poverty.

He is the genius child who could have become one of the greatest wizards in history, but his life was never his own. He was a soldier, a tool of war, with no chance to build the life he wanted.

He is the one who, in adulthood, exhibits clear physical and psychological signs of depression and trauma.

He is the one who, due to his insecurity and vulnerabilities, felt forced to join Voldemort in search of a place where he might find some semblance of peace and safety.

He is the one who loses the love of his life and his best friend because of Voldemort and wishes for death because of it.

He is the one willing to give up everything for love.

He is the one who has been manipulated his entire life and battles with guilt and depression.

He is the one who stands up to Voldemort, deceives him, and bravely dies to save others.

He is the one who watches all his friends and loved ones die and is powerless to save them.

It was him who was “'the bravest man I’ve ever known.'”

(That man had nothing in his life; at least let his story remain his own.)

[mythalism]

in my rook hating mindset now after that post this morning and cannot stop thinking about how they are literally the worst protagonist maybe in any story i have ever experienced JRHGKJERHGJERG. and like if you love your rook i am not saying you shouldn't. if you love your rook i am so so happy for you genuinely but you are also probably brilliant and have a huge brain because what the game gives you to build off of is so abysmal.

i literally cannot stop thinking about how insane it is that rook literally causes a double blight and worldwide catastrophe on a scale which thedas has not seen probably since the creation of the veil itself and just. experiences no remorse. and the story tries to tell us thats a good thing and makes them better than the villain/their foil. JHREGJKHERGJKHERG. HELLO?!!??!?!?! literally no one ever goes "hey maybe you shouldnt have done that" except solas and hes framed as the VILLAIN!!! WHAT!!!!!!!!!! hawke blames themselves for not putting the pieces together fast enough when a bouquet of white lilies arrived at their door? the narrative gleefully condemn anders with the immediate opportunity to kill him for his crimes. nearly every single character in origins immediately puts the entirety of the responsibility for the fifth blight on loghain's shoulders, regardless of the CLEAR SUGGESTION that the battle at ostagar could never have been won. and all of these makes sense for the world and characters!!!!! of course hawke would blame themselves for their families deaths when they were given the role of protector by leandra after malcom dies. of course the city of kirkwall is going to want anders dead for his extreme act of violence rather than start the uncomfortable process of acknowledging the beloved chantry's complicity in large scale abuse happening in the mage circles!!!! of course alistair and the warden are going to blame loghain for the blight and cailan's death!!!! it doesnt matter if they are right or wrong, it makes sense for their perspective and worldview to feel this way!!!!

have yall gotten the low approval conversations in inquisition????? solas's "Inquisitor. Tell me. How does it feel? Being you. Are you blissfully unaware or, deep inside, is some part of you banging on the walls, screaming?" cassandra getting drunk and practically spitting in your face how she regrets raising you up to such power? blackwalls' "Are you proud of yourself, of what you’ve built here? How about the lives you’ve destroyed along the way? Given much thought to those lately? Is this Inquisition all you wanted it to be? Because I’m disappointed. All I see is a gang of thugs led by a self-serving tyrant." and these SCATHING comments from those who once believed in the inquisitor enough to join their cause come from decisions that affect a fraction of the population that dies under the southern double blight. people will rip the inquisitior to fucking shreds when they fuck up. THATS THE ENTIRE POINT OF THE TRESPASSER DLC EHRGKJHERGKJHERG. like holy shit every decision carries the weight of "oh my god whos gonna hate me. who is going to die because of my choice. how is this going to come back to bite me." have we forgotten what its like to return to varric after leaving hawke in the fade and confess what we did? the call we just made? to look him in the eye and tell him that we sacrificed his best friend? WHY IS ROOK NEVER ASKED TO PARTICIPATE IN ANY OF THIS INTROSPECTION?????????? TO EVALUATE HOW THEIR DECISIONS AFFECT THOSE AROUND THEM BOTH PERSONALLY AND SOCIETY AS A WHOLE????? OH MY GODDDDD

the regret prison scene is so insane. first its insane because its solas at his best and most cunty. but secondly it makes no fucking sense even if im largely distracted by pookie being fun and villainous. solas tries desperately to play up rook's regrets during their conversations and we are supposed to believe that it was that manipulation that allowed him to swap with them in the prison. how does this actually work? blood magic? dont worry about it, kitten. but then when we get into the prison.... the only two regrets that manifest are things that just happened within the last 3 hours - your two party sacrifices. lets be clear that these are not even real sacrifices because literally all of these people volunteer to go and then argue about why they should go. this is so fucking stupid. then rook looks at the statues and says "i dont regret this because this was your choice". YEAH????? OF COURSE YOU DONT FUCKING REGRET IT WHY WOULD YOU. HELLO???? THIS WAS NOT ROOKS CHOICE THIS WAS ROOK JUST SAYING "SURE I GUESS". AND THEN THATS ENOUGH! THEY JUST LEAVE BC THEY CONQUERED THEIR REGRETS!?!?!?!?!??! WHAT!!!!!! there is no discussion of rook being responsible for the blight in the south that we find out via ooc inquisitior letter has KILLED LITERALLY EVERYONE. no suggestion that their recklessness and willingness to act WITHOUT ALL THE INFORMATION at the ritual is the reason for every single thing the evanuris do following their release.

and let me be very clear bc i know this was causing drama on twitter last week. i am not saying the double blights is rook's fault. i actually dont think it is their fault, although i do think they are stupid and reckless and shouldn't have acted so carelessly. but although rook is responsible for ghilly and edgar breaking free, rook is not responsible for the their actions following that freedom, and rook is not at fault for being put into an impossible situation (the need to stop solas's ritual) without all of the information on what the ritual was and what stopping it might incur. however, the double blight is rook's fault in the same way that the veil, the fall of the elvhen empire, elven mortality, and every demon's existence is solas's fault; which is to say, it is and it is not. solas was backed into a corner, in a desperate situation without knowledge of the potential consequences, and was forced to make a decision for the good of the world when he imprisoned the evanuris and blight with the veil. rook was backed into a corner, in a desperate situation without knowledge of the potential consequences, and was forced to make a decision for what they thought was the good of the world when they interrupted solas's ritual. but while solas feels immense guilt and responsibility for the choice he made, rook feels.... absolutely none. and the game tells us that... they're right? people should just not take accountability for anything? i will give credit where it's due here that varric's contribution to this scene is quite good and his line where rook tries to take responsibility for his death and varric says smth like "no, that was my own choice and you dont get to take that from me" is B A N G E R. WHERE WAS THAT ENERGY IN THE REST OF THIS FUCKING GAME!?!?!?!?!?!?!?!!?

THAT was the lesson solas needed to learn, not that his regret was wrong but that it was MISPLACED!!!!!!!!! and that is why it is mythal acknowledging that their burden is shared and not his alone is the culmination of his entire story and what finally allows him to move on. pride stands alone, wisdom seeks out the input of others to make an informed and wise decision. this is also why he leaves such breadcrumbs for the inquisitor (a high approval one, at least) because he respects their opinion and their input and their existence and the way they treat him turns him back into wisdom from pride. this is why a romanced inquisitor mentions his name being pride and how its possible that hes not even CAPABLE of changing his mind because it would be so against his nature, and he needs someone whose opinion he values to show him the way. his flaw is his SELF INFLICTED LONELINESS!!!!! NOT HIS REGRET. varric even fucking says this in some random banter you get with his ghost in the infirmary but im too lazy to go find it on my desktop. its something about how he sees attachments as a weakness rather than a strength. his pride causes him to take on responsibility that is not his, his wisdom -> pride corruption has led him to believe he is the only one capable of fixing the world's problems and he will destroy both himself and those he loves in the process. he asserts that he is just a man but is unable to stop making decisions for the world like a god.

THIS is the solas/rook foil that should have been: rook relies on their friends and that reliance is ESSENTIAL; after all, the neve/bellara and davrin/harding sacrifice is essential to win. in contrast solas refuses to rely on anyone, and this isolation makes him increasingly cruel. when he has no one to mirror the way a spirit should, he becomes Pride, too proud and too god-like. his attachments make him more human. he is terrified of depending on others and will kill them rather than risk the vulnerability of dependence after what it has done to him (mythal, felassan). he has to unlearn this avoidance and fear, he has to admit that there "could have been a better way" that someone else saw and he did not. he must learn that he does not have all the answers. he is not Pride. its NOT that rook doesnt experience regret and doesn't take accountability for mistakes while solas is trapped by his own regrets. the message we got instead is so incoherent. but it was SO CLOSE TO BEING GOOD. the bones of this are littered everywhere in both the game and in the datamined content and for some reason it just could not be brought together in a way that makes sense.

the message that rook is "right" and better for not having regrets is genuinely insane, especially when the "regrets" they have to conquer are literally just. other peoples decisions. the fact that rook has the audacity to say to solas that he could never escape the prison while they could so easily because he is trapped by his own regret as if rook is better than him is genuinely so fucking dumb it makes me want to claw my eyes out for having been forced to read it. rook sacrifices nothing and learns nothing. the sacrifices within the game belong to the characters that make them, rook does not order people to their deaths in the same way that solas or even THE INQUISITOR do. rook never is asked to grapple with the fact that they ACCIDENTALLY unleashed a double blight, no matter how good their intentions. WHY DOES NO ONE BLAME THEM FOR THIS???? regardless of if it is their fault or not, the objective truth of fault does not matter, what matters is that you make decisions and PEOPLE JUDGE YOU FOR THEM!!!!!!!!! THIS IS LIKE FOUNDATIONAL TO THESE GAMES JEHRGJKREHGJKRHG. this is what the entire game is about doing to solas. judging him. based on his choices. and the game clearly wants you to have empathy for him in the end. but its so OBVIOUS that the vessel for building up that empathy should have been ROOK EXPERIENCING THE SAME THING!!! THE SAME JUDGEMENT!!! THE SAME GROWTH!!!!! FEELING THE BURDEN OF THE WORLD ON THEIR SHOULDERS. FEELING THE DREAD OF GUILT AND SHAME AND REGRET. TRYING TO DEFEND THEIR INTENTIONS!!! I DIDNT MEAN TO I DIDNT MEAN TO IT WAS A MISTAKE!!!! LEARNING THAT THEY HAVE TO OWN UP TO IT BUT THEY ALSO HAVE NO CHOICE BUT TO MOVE FORWARD!!!!!! HELLO!??!?!?!?! they BARELY even express remorse for the treviso/minrathous sacrifice, even when faced with neve/lucanis's anger they just go "a decision had to be made and i made it". well. YEAH? LIKE YEAH THATS RIGHT BUT HUMANS HAVE FEELINGS??? YOU ARE SUPPOSED TO BE A PERSON, NOT A BLANK SLATE VIDEO GAME PROTAGONIST!!!!!!!!!!!!!! ITS OKAY TO FEEL BAD!!!! YOU MADE A DECISION THAT RESULTED IN PEOPLE DYING. ANY HUMAN BEING WOULD FEEL BAD ABOUT THIS. ITS KIND OF FUCKING WEIRD THAT YOU DO NOT. HOW IS ROOK JUST BORN BEING OK WITH THIS. ITS SO ROBOTIC AND ARTIFICIAL LOL

rooks actions are such a clear, perfect parallel to solas putting up the veil and the guilt that haunts him afterwards that i KNOW it was intended that way and somehow it just got completely shafted. it literally feels like they did have a coherent parallel going and for some reason were forced to change directions last minute and thus we got some mish mashed barely cobbled together incoherent nonsense with clear echoes of its former self. instead rook has no flaws, makes perfect judgements at all time, has unconditional support from all of their friends who also make perfect judgements, are immune to making mistakes, and the message is its actually just really easy to not have regrets if you just choose right every time and refuse to take responsibility for anything as long as you had good intentions :D

[spidey-webs]

Scrolling through AO3 and saw something I wasn't expecting: Hal and Jason fics. And usually, the Jason Todd-ification of DC fandom is not my cup of tea. But. There's an interesting concept there. Just not one I've ever personally seen addressed.

And that's:

Hal actually fucking did it.

Every single thing Jason fantasized about at the height of his wrath? Hal actually did it. Hal killed his mentor and his tormentor, Sinestro, with his own hands. And he decimated the friends that didn't stop his tragedy, killed the comrades that didn't care for his grief, and reduced his all-mighty masters to nothing. He actually ripped Henshaw to shreds.

Hal is the dog that bit back. The dog that not only bit the hand that fed, but went for the throat next.

Hal is the League member that went bad. There's many parallels there to Jason's narrative, should one want to look for them.

Moreover, Hal's pain became a palpable, all-consuming thing that devoured everything. Hal's tragedy, his grief and his rage and his pain, was so great it caused a literal Crisis (the second crisis ever! Out of only seven!), tore reality apart, erased entire timelines. It had long-lasting effects on the entire universe for years to come. (On a more personal note for Jason: It hurt Batman. On a deep, psychological level.)

It mattered.

But it also did not help. It didn't make Hal feel better. It didn't fix anything, despite how desperately Hal believed it would. It, in fact, made everything worse. Hal regretted all of it.

And I think Jason Todd reckoning with that tale would actually be a genuinely interesting way to explore his character.

I'm not caught up enough to know whether these two characters have ever interacted in canon, but I think I'm well-read enough to say: probably not. And if they did, probably only superficially.

But I think there is room for a very interesting conversation between these two characters.

Hal being basically the embodiment of Vengeance for a time is also an interesting element, if the timelines were shifted around so that Jason crawled out the grave before Hal's rebirth. Like. There's a foundation for one hell of an interesting dynamic here.

[thevirgodoll]

doll diary.

hey angels! PSA: the wrong environment can literally take the life out of you. I’ve noticed ever since I stopped being in a hostile work environment, my skin cleared back up, I started back my maintenance routine, I got proper rest, and I’ve had more time to write posts and draft them.

point of it all is: if you’re compromising your desired lifestyle/dream, it’s not for you. if it feels wrong in your gut, in your heart, then you HAVE to walk away. and if you can’t just yet due to circumstances, live as if you have.

delusion carries people through the WORST situations. but it’s not delusional if it’s destined to happen.

exist in a reality where everything is okay and you have your dream lifestyle. it’s already on its way to you. if something pulls you further apart from the world you created, how healthy is it?

whatever doesn’t fit your narrative has to go, and I really mean that. people lose themselves in regret every single day. I refuse to play myself like that.

don’t get distracted by a lifestyle you aren’t meant for that you compromise your values and your dreams.

ask yourself if this job, this person, etc is part of your storyline. you’re the producer and you call the shots. or are you in a new season?

think of everything and everyone that doesn’t fit as plot points to push along your story. same with opportunities. just something to lead you from one place to the next.

that’s all for now. stepping into my new season.

[itsabouttimex2]

“You need to do better.”

(This gets vitriolic, and is a full-blown criticism of Macaque’s portrayal in Season Four and Five. If criticism of a character/franchise you like upsets you, I do not recommend reading.)

Wow. I had no faith in his character writing, and I’m STILL disappointed.

And it only took one episode! How impressive!

Macaque, who has put in ZERO on-screen effort to become a better person or make amends to his victims, is criticizing Wukong for being a bad mentor! And does Wukong criticize him back? NOPE!

After getting screamed at and berated, does Wukong defend himself? NOPE!

Ooh, but there was a second long reference in a dual yelling match that mentioned that Macaque was a genuinely bad person who took glee in hurting innocent people! Oh, fucking delightful! Ooh, Wukong even points out in one episode that Macaque goes without consequences!

Pointing out a flaw in your writing does not make it less of a flaw.

Macaque will always be allowed to do whatever he wants to anyone he wants- power theft, attempted murder, insults, deceit, assault-

And the narrative and characters will never hold him accountable or force Macaque to look inwards or become a better person.

Macaque will always fall upwards into redemption without any obstacles or pushback.

There will never be a struggle to goodness with a satisfying conclusion. There will never be a moment where falters in his newfound goodness and questions going back to his old ways. There will never be explicit remorse or regret. He will never have deep introspections on his crimes and atrocities that provide a reason for him to want to change.

The sum of his “arc” will always be “you were a good guy all along”, and that lack of depth is where it will stay.

RIP Seasons 1-3 Macaque. You were fun and interesting and cool and lovable.

But the man they replaced you with was destined to be a boring and brooding “anti-hero” who has no real connection to the actions you selfishly and violently performed with your own two hands-

And you will always be a less interesting character for it.

The execution of the actual arc boils down to a single heroic (but ultimately self-serving) moment and then Macaque is immediately forgiven for all the crimes he’s committed and is a magically better person without any effort and nothing he’s done is ever brought up again.

It severely weakens any character’s arc to cut them off from their past actions. If MK forgot his traumas every season instead of carrying them forward- we’d all agree that doing so was a case of poor writing.

It was the reason that people disliked Mei’s portrayal in Season Four- she immediately moved on from the Samadhi Fire arc and “no longer wielded it” after spending a whole season gathering and learning to use it.

Why can’t we agree that it’s bad for Macaque, too?

You can’t “develop” a character by dropping an entire plotline and writing it off with one line.

You can’t “redeem” a character by pretending that they were a good person right from the start.

Sorry, bud.

I really did like you. I just wish I could like your writing.

——————

And, what is more clear to me now than ever?

People only defended Macaque’s shitty writing because they think he’s hot.

I know this now, because I’ve seen white-hot Li Jing arc hatred from fervent Macaque arc defenders.

So we all agree that an “I didn’t really mean it!” isn’t an excuse to abuse the people around you? That you don’t get to mistreat innocent people just because you’re stressed and upset?

Hmmm.

Hmmmmmmm.

I wonder why people despise Jing for his dogshit “one nice thing redeems all your bad actions” arc but love Macaque for his??

(Because they think the monkey is hot.)

The funny thing, though?

Li Jing apologizes to at least one of the victims of his actions. He expresses regret and remorse.

Macaque doesn’t even have that.

——————

Anyways here’s a line that I hate because Macaque has in no way developed enough to have the right to deliver it-

AND NO, SUDDENLY HAVING AN AFFINITY FOR PERFORMING KIND OR SACRIFICIAL ACTS IS NOT GOOD CHARACTER DEVELOPMENT

HIM MAGICALLY OFFSCREEN BECOMING A GOOD PERSON WHO CARES ABOUT INNOCENT LIFE IS NOT GOOD CHARACTER DEVELOPMENT

IF ALL IT TAKES TO “BE BETTER” IS ACTING LIKE A HERO, WUKONG IS LITERALLY A THOUSAND TIMES BETTER OF A PERSON THAN HE IS

THIS LINE IS DOGSHIT

“You need to do better.”

Really, Macaque? Maybe you should take your own damn advice- try apologizing to one of the people you tried to hurt and tried to murder in cold blood!

Like when you trapped MK under his staff after stealing his powers and tried to murder him when he was helpless?

Or when you kidnapped MK’s friends and tortured the kid by forcing him to fight them?

Or you led a violent assault against a palace full of innocent people?

Or violently beat his dear friends until they were screaming in pain?

Or assaulted Tang, who posed no threat to you?

Or threatened to murder an innocent girl if you didn’t get your way, then ran away (and encouraged MK to abandon her) first thing when it put her into a life-threatening meltdown of raw power?

(Isn’t it cool how NONE of these people have interesting or varied reactions to him doing this and ALL immediately are cool with him like a gelatinous hivemind.)

(Oooh ONE mildly questioning line from Pigsy but no anger over his adoptive son nearly being killed multiple times over)

(Isn’t it cool that no one has complex or interesting thoughts on this.)

(Isn’t it cool that by robbing them of unique feelings on the matter they robbed Macaque and the Monkie Kids of compelling and interesting interactions that could’ve helped flesh out their personalities and strengthen their characterization.)

(Isn’t it cool that Macaque and the Monkie Kids are actively denied intriguing character dynamics so Macaque’s shitty “redemption arc” can happen faster.)

(Isn’t that cool.)

Why don’t YOU do better, Macaque?

(In a way that is more satisfying than “one kind-hearted speech from a kid that I tried to murder changed my mind and now I am a better person but all my character development happened offscreen and without personal introspection”, at least.)

Also what the fuck do you mean by “do better”?

Be heroic and put your life in danger? He already does that! He’s done it more than you have!

Just tell MK that he’s not alone? YOU COULD DO THAT YOURSELF, MACAQUE!

Help MK with his traumas and fears? MK doesn’t tell anyone about those! He keeps them bottled up, lock and key, and actively refuses attempts to help!

Wukong TRIED to reach out to him, and MK PUSHED HIM AWAY! Was he supposed to tie the fucking kid down and torture the information out of him?

He respected MK’s boundaries by not pushing any further and letting him leave!!

WHY IS THAT A BAD THING??

What the fuck, man

[menlove]

I’m sure you’ve answered this one before, but what do you personally consider to be the single most convincing piece of mclennon evidence and why?

goddddd this is tough bc for me it's all of them mixed together that makes me dead certain

but I'll narrow it to three bc ik lyrics as evidence piss people off so my first two answers are going to be Brushed Off

but genuinely the most convincing to me is "this one" by paul. like the fact that he literally says it's about john and regrets re john and then the lyrics are

like I genuinely cannot think of an explanation for this song being about john than him having been in love with him. like literally can't think of a single thing that could make these lyrics platonic it's literally the most blatant thing he's EVER done

but people haaaaaate lyrics proof bc they'll say paul is a narrative writer and it's not literal (even though he Literally said it's about john lmfao)

so I'll move to John Lyric Proof that is so blatantly referencing paul and them having had a romantic thing going on but. the real life demo. the linked post goes into it, but it's so fucking obvious it hurts my heart for him. in it, he says: "was I just dreaming or was it only yesterday? I used to hold you in my arms. and now a baby, and another on the way. la la la la la farm." which can be about literally no one but paul unless john was having some never heard of before affair with linda. paul was expecting another child & lived on a farm, and right before that john had made a reference to him and linda taking a cruise. and he's crying in this demo. but "I used to hold you in my arms" is the like #1 thing that convinced me that they Had some kind of physical relationship bc the rest of the song is very literal so there's no reason he'd be making only one lyric up

BUT LYRICS ASIDE BC THEY MAKE PEOPLE MAD. my #1 non-lyric evidence has gotta be handed to paul's "if I were a girl, maybe I could go out and..." quote lmao like to me there's just 0 non-romantic interpretation of that one. he's just blatantly saying if he were a woman, he'd let himself feel obviously romantically spurned by john leaving for yoko and he could get him to come back. but he can't, because he's a man. it really doesn't get more obvious than that to me

[sgiandubh]

2023 or last week

That's not really matters', what is interesting is that Caitríona has a very high level of privacy in her movements or travels

She has a private life that is completely away from notice and attention, no press, no ordinary people, no fan who meets her by chance

Wow.. as if she had the invisibility power since 2019.

Dear Privacy Level Anon,

We're going to do things a bit differently, this time, with an audio answer. Nice to meet you, by the way:

For those who need a transcript, here goes:

'Your charade has very simple answers:

No Press? The Press would have to actually care or be sold a juicy tip/story, about that elusive B-lister who is such a compelling Claire Fraser (huh?) from Outlander ('wait a minute, that nice, secksay series around 2016, right?'). Press interest is, however, likely to immediately jump up, the minute she lands a better PR team and/or a part in a really relevant cinema project. Let's see what those two next movies bring, Anon.

No Ordinary People? Imagine you're Jane Doe (aka, an Ordinary Person), traveling from 🛫 London to 🛬Bangkok. Upon arrival at 🏯Suvarnabhumi Airport , while waiting in line for the notoriously looooong passport control (full profile pic included), you spot C (or S, or C and S, or C and S and Boos 1, 2, 3... 554). They vaguely remind you of someone. That someone could be anyone from a) your cousin Matilda's co-worker you have been briefly introduced to, three years ago; b) someone who looks like your homeland's host of 'Who Wants To Be a Millionaire' TV show (totally random example, here); c) someone who looks like that actress you once saw in that TV series which name you can't really remember. Ultimately, the fact that you are unable to put a name on that face really irritates you. Your feet hurt, you are sleepy, grumpy and you need to go to the bathroom ASAP (🚨🚨🚨🚨). Meanwhile, S and C kiss, Boo #456 is as unhappy as you and wants his blankie. Did I mention you need to use the 🚻 (somewhere far away from 🛃) ASAP? S and C 💋💋💋💋 some more. YOU NEED TO USE THAT TOILET AND YOU'RE STUCK IN THAT STUPID LINE. Boo #433 wants their mommy's attention NOW (🥹🍼🤦‍♀️), so you sympathize a bit ('what a cute 👶, just like his/her parents') but you are really focused on your 🧻problem. By the time you dragged your 🧳to the 🚕 area, in the thick, humid heat at Arrivals, you'd have forgotten everything about it, but remember every single second of your Passport Control Ordeal.

No Fan? Outside of these Tumblr/X/Instagram jihadist pockets, no casual 🪭 would probably ask for a pic, provided they remember the name of the series (it is really poor taste to go for it and candidly tell her/them something like ' oooh, I remember you from The Last Kingdom, such a wonderful series'). Out of those who still go for it, I bet the farm:

85% keep The Nice Pic tucked in their iPhones and just randomly share at the next school bake sale/corporate teambuilding/ Rotary Club meeting with random people saying random things like 'oooh, she's nice, wait a minute, wasn't she in The Last Kingdom'?

10% foolishly post on X or Instagram, to be immediately greeted by The Fandom Vigilantes, courtesy of alerts installed on their own iPhones: 'where was it/ when was it/was she alone/yes? why?/no? why and with whom/ what did she say/ did she say anything/ why didn't she say anything'. If, by a very probable misfortune, what you have to dish out does not click with the Greeting Committee's agenda, expect to be: a) treated like a 5 year old idiot or a tortured POW ('was she alone...? was she alone...? are you sure she wasn't alone...? ARE YOU SURE SHE WASN'T ALONE? ANSWER ME, WAS SHE ALONE?'); b) Caitsplained she is married to someone else and what you saw is an optical illusion; c) perhaps even forced to adjust your own narrative (maybe that 6′ 3" Viking was Tony McGill, after all? 😵). You immediately regret posting it on your public Social Media accounts, erase the pic and go private. By the time you do it (12 hours from posting), it would have been dutifully screencapped, in a middle of a full blown Fandom Skirmish.

5% know what Tumblr actually is (at a minimum) and/or are actively involved in its Fandom Subset. The minute they post is the start of just another Nagasaki episode. The DM inbox will explode with a rich array of pleas/insults/more Caitsplaining. Comments will range from the ecstatic to the revoltingly vulgar. And remember (LOL for weeks):

The Fandom will eventually never forgive you for sharing.'

[magicgirlboss]

CONTENTED MEN HAVE SHORT MEMORIES. CAPTAIN FLINT'S NAME IS ALREADY HALF FORGOTTEN. MY NAME IS JOHN SILVER AND I HAVE A LONG FUCKING MEMORY. THEY HAVE LITTLE REASON TO FEAR THE DARK. IN THE DARK THERE IS DISCOVERY. THERE IS POSSIBILITY. THERE IS FREEDOM. I SEE A LIFE FOR MYSELF WITH HER AND I WILL NOT LIVE IT WONDERING IF TOMORROW IS THE DAY YOUR NIGHTMARE FINALLY TAKES HER AWAY FOR GOOD.

CONTENTED MEN HAVE SHORT MEMORIES. AND THEY HAVE LITTLE REASON TO FEAR THE DARK.

[arttheclown]

to my fellow fans of animation and film in general: please please please, see puss in boots: the last wish in theatres if you get the chance. i mean it. it has no right being as good as it is and i’m very sad that there’s so little talk about it here on tumblr. i enjoyed every single character; they all serve a narrative purpose and everyone’s arcs are meaningful, including the worst of the villains. the worldbuilding & how the narrative plays with classic fairytale lore is extremely fun — a loving callback to early shrek that still feels like its own thing. the character designs are excellent. the animation is spider-verse levels of insane, with several transitionary moments that had my jaw on the floor. the music is beautiful. i was shocked by how just how dark the movie was willing to get at times, too; dealing with themes like death, mortality, animal / child abuse, commitment issues, and toxic masculinity. there’s a depiction of a panic attack that hit so close to home for me i was almost in tears, especially how they chose to resolve it. it was very touching and true to real life, which isn’t something you’d expect from a fantastical cartoon.

in an industry that’s being dominated by disney, we need to support films like this now more than ever or we’re not going to have many more of them. give it a shot if you can — i promise you won’t regret it.

[flythesail]

Everything about the Acolyte cancelation just feels so off. I want to be hopeful when seeing the strength of the renewal campaign or even the number of big news sources writing about it, that something like a wrap up movie could be possible, yet nothing about this situation says "normal."

There were reports from so many places (with no evidence) that Acolyte merch was intentionally taken offline. (For the record, nothing came up when you searched "Andor" either.) Then soon after, the merch is back. (Presumably because it was out of stock.) What I find surprising is that the news spread like wildfire. Why? When for most of its existence, the Acolyte has been thrown under the bus - from review bombing to racist attacks from so called "fans" - why was everyone suddenly jumping on the cancelation news when doing little to defend or support the show from the start? Merch seems like such a minor thing within the grand picture.

Many, okay most, shows are canceled after one season nowadays. But this is a first just by default of falling under an IP as large as Star Wars. Shows that are not renewed go "quietly." Kenobi was written as a single season. Tbobf might have been up for a second, but after the way it was used as a bridge for Mando seasons 2 and 3, a lack of renewal is not a shock.

There's so much proof the Acolyte was on course to be renewed and the cancelation was not planned. As recently as last month they were looking for directors for season 2. I believe there were reports of a writers room in February.

Lee Jung-jae says in an interview he's surprised about the cancelation, and right after there's "coincidentally" news that Keanu Reeves would have been Master Sol if not for scheduling conflicts. Lesley Headland has ALWAYS said JJ was her first choice. Which says what? That Lucasfilm wanted to punish JJ for showing support for the show that they canceled. This is on top of doing absolutely nothing to protect Amandla from all the disgusting racists on Instagram. This is on top of them announcing Manny for SW Celebration, which isn't until NEXT year. Wtf is he going to talk about?? Thanks for canceling my show last year! I sure would have loved to continue it! The cancelation news was even publicized on his birthday. This comes after recent news for tie-in novels, an art book, and a visual guide.

My best guess would be that plans for season 2 were underway, and a higher up got scared. Of what? Taking creative risks. Or maybe scared of the people who claim to be "fans" and have done nothing but trash the show from the start with no basis.

I'll play advocate, what if it was just for viewership and budgetary reasons? It does cost a lot to make. But then why not adjust the budget? Why not adjust the marketing strategy for season 2? The success of something like Star Wars cannot even be entirely measured by viewership or Disney+ subscriptions, less so a month after the finale. What about merchandise sales or growth over time, as the Acolyte perfectly slots into a space in canon that quite frankly, is unexplored but adds so much to the overall narrative longterm!

Even if the show is expensive, you will never convince me Disney of all companies doesn't have the money for it. Something happened and it happened fast. Whatever did happen, to cancel the Acolyte is a cowardly move. I want to hope it can come back and that this "scrambling" to change the narrative in the media is a sign of regret, yet it's most likely a poor attempt to control the narrative in their favor and push the blame to everyone who actually cares about the show.

At the very least, I hope the response is a wake up call. That Star Wars fans will not stick around no matter what. That you cannot treat your creators, actors, and fans, primarily women and poc, as lesser time and time again and expect them to continue to support your product. This decision is telling in more ways than one. It's unfair and if nothing changes, Star Wars will only get worse from here. Which is disappointing, because I love it and have been a fan on and off since I was 11 years old. But I cannot deny that everything about the way the cancelation is happening feels like a betrayal.

The Acolyte dared to be inventive. It dared to be diverse. Whether that be the cast or those behind the camera, this story was made by and made for people Star Wars has continually neglected, and it still felt like true Star Wars that anyone could enjoy. It was a step in the right direction. If given a chance, it would have only become bigger. When is the last time a Star Wars project brought in new fans like this? You can only retell the same stories so many times before they lose what made them special in the first place. As a true fan, Lesley brought fresh perspective. From Amandla's performance as Mae and Osha, to JJ's performance as Master Sol, which he learned English for. Or Manny as the Stranger, a mystery turned sith turned lead love interest. The Acolyte explored the grey era between good and evil, the decisions that define us, what it means to feel, and the power of that. The Acolyte dared to exist and a cancelation can't erase the fact that it matters.

If you're still reading, please do sign and share the petition. It might not bring the show back, but it is a show of support for the cast, crew, and fans it stood for.

[odesofmeddea]

house of the dragon viewers who, mostly, are avid shippers of canonical incestuous uncle-niece marriage being so collectively repelled by the mother-son intercourse on-screen they cry and throw up begging for the harrenhal arc to end is so incredibly stupid, i'm not even sorry. daemon's arc this season is the best thing that could've happened to his individual narrative... he's the character who is not very vocal about, or easy with exteriorizing, his inner turmoils and anxieties. what harrenhal haunting does is forcefully dehisces those very intimate things out. although there's an obvious preternatural compulsion toward daemon's more malevolent impulses - as in the horrid compulsion issuing either from the place or the place and alys-entity's converged powers that might as expose and explore as pervert his resentment for rhaenyra and viserys and the simultaneous yearning to be unconditionally loved by them and by his mother into its extreme violent manifestations, - we still get to see way more human aspects of him becoming bare. things unuttered like guilt and sorrow, and regret no one believes him capable of - rhaenyra, laena, and little jaehaerys; fears, vulnerabilities, and the deep sense of emotional disorientation, trauma, and loss that the fandom's manichaean reading aggressively denies him. viserys' favoritism culminates in the decollation of rhaenyra that he himself is perturbed with not because he maniacally harbors harmful deadly intentions on her behalf but because there's an ugly wound that viserys, the family and patriarchal society as inevitability caused him and that alys' (or harrenhal's) influence is exacerbating through manipulation of his tattered psyche.

daemon dreaming his mother - whom he lost at too young age of three to actually establish any substantial proved relationships with - in this sexual role and womb-oriented denouement, in which he is only temporarily full of filial bliss before the ghast at consummation comes over him, is not some sui generis daemon-perversion but a part of his social and psychic character constitution and its study. alyssa's words might as well have been a self-consolatory projection he kept nurturing throughout his life: at least for his dead mother (whom he couldn't really know; dead being void, void being fillable) he was the most beloved, superior, and irreproachable one - the way that he wasn't for viserys and isn't always for rhaenyra, but wishes he was. viserys himself admitting to alyssa favoring toddler daemon most likely fortified this believe and necessity of that believe for daemon.

still, he is genuinely uncomfortable with every single apparition he's been subjected to face so far, and is not deriving a near sexual rapture (as does aemond at having aegon personally maimed) from seeing little rhaenyra accusing him of leaving her and stitching the head of the child he ordered to decapitate, nor rejoicing in the throne room after having her killed. he is not pouncing aroused (albeit he was, at first) on the figment of his bleeding mother to repeat the coitus - even if most of it is psychosexual, daemon is very obviously suffering from the horrors that are self, in situ, but are reflected through the doubles (rhaenyra, aemond) and the other (alys, alyssa).

it's breathtaking what they're doing with daemon this season. his line with alys is on par to the said. it's the best current new pairing in the show, with its own indefinite charm, albeit the pairing potentially being a sinister one. daemon is quite intimately drawn to alys despite the suppressed sense of something eerie in her omniscience. and i find it so interesting and captivating i almost wish it would never end... may daemon targaryen be haunted by his witch-fiend-friend forever!

[eruanee]

On Round 7 and the utility of sacrifice

⚠️ ROUND 7 SPOILERS ⚠️

I wanted to use this post to respond to some criticism I've seen circulating about Round 7 — it mostly being about Till's death making Ivan's sacrifice useless.

To be fair, this post doesn't aim to dismiss anyone's feelings or criticisms about R7 or Till's (presumed) death, they're all incredibly valid! I even have my own that I will talk about later. This post's only goal is really just to start a conversation about the general narrative of ALNST and how to write a compelling narrative in general. No matter what I'll say, people resonate with stories differently and expect different things from them, and that's okay!

Personally, I truly didn't expect Till to die. Before R7 came out, I even texted a friend saying this:

– If one of them has to die, I think it'll be Luka. Till's protagonist syndrome is too strong and his death would be narratively flat, I believe. – Yeah.

And well, shot missed, unlike the one that shot through Till's neck.

Though, I really do believe Till might not be dead, not only because of the #copium but this isn't really the point of this post — I will assume he is so I can discuss what his death would actually mean to the narrative and how it would impact it.

I understand that no one (including myself) expected R7 to go that way. A lot of it had us realizing we might have gotten some elements of the story wrong — something I didn't take into consideration is that the round was probably rigged to make sure Luka would win, which makes sense because of course that Alien Stage isn't the fairest competition (and if Ivan's pictures on the billboards aren't part of Till's hallucinations, this is plainly evil).

R7 also had us wondering what the goal of the rebels truly is: did they even intend to save Till? If not, why did they save Mizi, what did they see in her? Unlike what I first thought, like many others, it seemingly wasn't a rescue mission.

When I watched R7 for the first time, I audibly gasped the moment I saw the "Luka wins" sign appears and Till being shot down. And I thought "Ah, so that's the kind of story VIVINOS wanted to make." I was already a huge fan of their work before ALNST began, mostly of their horror stuff. When I watched it, I knew I was about to sit in front of absolutely devastating content that would leave me sick. The tragedy was always cruel, often unrewarding, but I would always ask for more. Good thing ALNST now exists, uh!

I mention this to state I went into ALNST expecting roughly the same thing and it's essentially what I got. I didn't expect Till to die but his death, in a way, didn't surprise me. Did it make me sick though? It sure did!

I do agree R7 feels incomplete. I think it's interesting that I have not a single idea of what's going to happen next, but my biggest regret is indeed that Till's death doesn't seem to do justice to his character or characterization.

Till, the rebellious misfit, always breaking rules to the point he has to be physically restrained, completely beaten by despair and trauma once again, dying on stage after he got a slight glimpse of hope he can never actually reach.

This is peak tragedy, and a beautifully animated one at that, but it doesn't feel like a compelling character development. If Till is truly dead, then he dies with the potential of being so much more. And this is truly sad and disappointing.

And this is why his death would make me sadder than Sua's or Ivan's. They got to choose their deaths and what it would mean for them, Till didn't. He was suffering and overwhelmed. He only accepted his fate because he got to know Mizi was still alive before his final moments. He got to die in her embrace, which is probably the only thing he could've asked for if that were to happen.

Sua's death got to introduce us to the reality of Alien Stage.

Ivan's death was an emotional climax. It conclused his character arc in a devastating way, but gave him a meaningful ending nonetheless.

Their deaths let us understand what kind of world Alien Stage takes place in : a cruel world where humans are pets to aliens, if not simple disposal. A world where feelings are never reciprocated until it's too late, where you long for something impossible until you realize you should've paid attention to what was right in front of your eyes, too.

Alien Stage is a show where the candidates' suffering are seen and consumed as mere entertainment.

In this system, I believe Sua's and Ivan's meaningful deaths are anomalies. Till's death is the standard. An extremely unfair event, result of an extremely unfair competition. This isn't about who deserves to survive, but about who manages to. If anything, I think the aliens are relieved Till is dead, as he was mostly a bother to them. Luka is beloved and accommodating.

A world where death is the easy escape, if not almost a selfish one. Sacrifice is an act of love, but also an act of egocentricity. The sacrifice aims to be remembered as selfless and generous, but in the end, they only "run away without any sense of responsibility". The gift sounds beautiful when actually, it might only be rotten.

In such a world, how can a sacrifice ever be useful? I guess Ivan's wasn't. A sacrifice only happens to create a possibility, a chance, a what if.

Another very frustrating part of Till's death to me is that I thought he had the power to be a protagonist. I still stand by it but he was robbed of this agency. Him being used as a narrative device for Mizi's protagonist plotline (at least that's what I believe) feels a bit cruel, even narratively.

Alien Stage can be a frustrating story because it seems there is no way out, which is ultimately not something people are seeking for very often in a story. I still hope there's a way out somewhere, maybe not for Till, but that would already be something.

As for now, it seems Mizi's role is to manage to make Sua's sacrifice, as well as all of these deaths, worth something. This is the 50th season of Alien Stage. The pile of corpses is leaking red.

I do wonder where the story is going to head.

At the very least, Till wasn't unknown till the end. You could say that being loved, even for a blink, makes one's life worthy to be lived.